Taking advantage of relative liberalisation at home, the young Václav Havel visited New York in the spring of 1968 for the US premiere of his second major play, The Memorandum. It was staged by the Public Theater, which had just had a huge hit with Hair and was headed by director Joseph Papp. He and his wife Gail Papp got to know Havel at that time – and later visited the then dissident at his country home in communist Czechoslovakia.


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